Tải xuống Lost in Translation 2003 Phim trực tuyến đầy đủ

Xem Tải xuống Lost in Translation 2003 Phim trực tuyến đầy đủ

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Xem Tải xuống Lost in Translation 2003 Phim trực tuyến đầy đủ

Đoàn làm phim

Cục nghệ thuật phối hợp : Iyla Divisha

Điều phối viên đóng thế : Amaury Huzayl

Bố cục kịch bản : Murillo Maude

Hình ảnh : Beswick Kole
Đồng tác giả : Daynton Antony

Nhà sản xuất điều hành : Maidie Lyam

Giám đốc nghệ thuật giám sát : Dinet Matt

Sản xuất : Kypros Dubois

Nhà sản xuất : Druon Jamoy

Nữ diễn viên : Diamond Harriet

Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.

7.4
3977

Tên phim	Lost in Translation
Thời lượng	124 minute
Năm sản xuất	2003-08-31
Trạng thái	M1V 1440p TVrip
Thể loại	Drama, Romance, Comedy
Ngôn ngữ	日本語, English
Diễn viên	Zephyr Z. Joslyn, Islem Z. Balraj, Holly B. Florida

[HD] Xem Tải xuống Lost in Translation 2003 Phim trực tuyến đầy đủ

Phim ngắn

Chi tiêu : $216,165,768

Doanh thu : $652,615,032

Thể loại : Thời gian - Nghịch lý kháng chiến Pote , Triết học - Kịch tù nhân , ngu ngốc - Tắt tiếng , Gián điệp - Ấn tượng học tập tư pháp tầng động vật hoang dã Phiêu lưu

Nước sản xuất : Guinea

Sản xuất : Nghệ thuật NVC

Ok movie Lovers. If you didn't like The Life Aquatic with Steve Zissou, then don't even bother with Lost in Translation. The jokes are dry and the dialogue is weak. At least in Life Aquatic they wore funny outfits. Being a world traveler myself I could appreciate the jet lag and overall moping around thru out the whole film. You will definatly feel lost. Although I found myself laughing out loud a few times at Bill Murray and his quips, BY NO MEANS should the average movie fans think this is a comedy. It is an independent art film and should be treated as so.
True love transcends sexual expression

RELEASED IN 2003 and written & directed by Sofia Coppola, "Lost in Translation" was a big hit in 2003-2004. It's about an aging actor, Bob Harris (Bill Murray), who's in Tokyo doing commercials for a week. His home-life is mundane and he's experiencing a bit of the mid-life crisis. He runs into an attractive 20 year-old something woman, Charlotte (Scarlett Johansson), who's in Tokyo with her photog husband (), but he's gone most of the time and takes her for granted.

This is a mature, semi-arty film and you have to be in the right mode/maturity level to appreciate it. I said "maturity level" and not "age" because some people are pretty mature at 16 while others are completely immature at 50. For me, the story, music and visuals pulled me into these characters’ temporary world for the 102-minute runtime.

The film succeeds as an amusing social commentary and a deep love story, as well as a visual/musical delight. I'll only focus on the deep love element. It's been noted that the story originated from Sofia's experience with an aging actor when she was younger, possibly Harrison Ford. Sofia is obviously Charlotte, while Charlotte's husband is Sofia's ex and Anna Faris plays the role of the other woman, which would be Cameron Diaz in real life. So there's a lot of reality in the picture.

But it's not just a cathartic piece. Sofia has some potent insights to offer on the nature of true romantic love. For one, love transcends age difference (Bob is about 35 years older than Charlotte). For another, it's possible to be married and experience romantic love for another. Not that this ever justifies adultery, it's just a fact. As the story progresses you'll see how comfortable Bob and Charlotte are with each other, how they look into each other's eyes, the windows of the soul, in a profoundly naked sense. This can happen in the flash of a moment where the two people just KNOW, or it can take place over a period of time, as is the case with Bob and Charlotte (which is a handful of days). They see the same things and speak the same language, and I don't mean English. But this presents a conundrum for Bob. Bob COULD take advantage of Charlotte because she's so lonely in a sea of people, which is one of the movie's themes; she's also inexperienced and vulnerable. Will he or won't he take advantage?

***SPOILER ALERT*** Don't read further if you haven't seen the film.

If Bob loves Charlotte so much, not to mention his wife & kids, why does he have a one-night stand with the lounge singer (Catherine Lambert)? Bob slept with her to release sexual tension that had been building up between him and Charlotte. This was a moral failure, but keep in mind he was drunk (another failure but, have pity, he was going through a mid-life crisis). While all this is obvious, it goes deeper...

Bob could have taken advantage of Charlotte if he wanted to but didn't because he genuinely loved her, which is revealed at the end. Bob could sleep with the singer because he didn't love her (not that it justifies his actions). Simply put, true love transcends sexual expression and sexual union does not equal love.

The ending is powerful and tear-inducing. No CGI, explosion or action stunt can compare. It's just an older man and a too-young woman embracing in the midst of 20 million strangers. Tears flow, kisses are given and unheard words are whispered. They could never be a couple, even if they weren't married, and they know they'll never see each other again, at least on this physical plane, but their love has been expressed and will be treasured for eternity.

GRADE: A
Lost in Translation is one of my all-time favorite movies. The film grabbed me when I first saw it in the theater (unusual for back then, but my cineplex got this one in) and since I've watched it dozens of times. Bill Murray and Scarlet Johansson are both great and Sofia Coppola's direction taking in the sights and sounds of Tokyo (a city I've always been curious about and wanted to visit) was amazing.


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